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Introductions and conclusions are important components of any essay. They work to book-end the argument made in the body paragraphs by first explaining.

Fernanda Martins is designer and researcher in typography and design history with a focus on the Amazon region. She currently lives in Belem in the Amazon region, and is a partner at Mapinguari Design, a small design business curating, for example, the Floating Letter project. Maurice Meilleur is a recovering political theorist turned graphic designer and design educator and researcher. He is an assistant professor of graphic design in the Department of Art at Appalachian State University in Boone, North Carolina, USA, where he teaches typography, design semiotics, and research methods.

Meilleur has contributed numerous type and book reviews to Typographica and Fonts in Use, and his experimental modular typeface Kast was a jury finalist in the protoType competition at TypeCon in Seattle, Washington.

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Presently, Meilleur is writing a book on the principles and history of modular scripts. Jon Melton of emfoundry.

Melton is a type designer and senior lecturer in Graphic Design at the Cambridge School of Art and regularly speaks at conferences about his historical research. His type specimens have been published by industry magazines, books, and journals, and exhibited throughout Europe.

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He was responsible for much of the text and typography in InDesign, including the Glyph Palette, the Paragraph Composer, OpenType font feature support, the Hyphenation Slider, and others. Menninga joined Amazon Kindle in , where he developed the new KFX Kindle Format and has been working to improve digital book layout and typography.


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Jeremy Mickel is primary designer and operating officer for MCKL, a Los Angeles—based design studio publishing original fonts and providing design services for clients worldwide. Founded in , MCKL has collaborated with top-tier design studios, corporations, and social organizations around the world to produce custom typeface and logo services. Middendorp became a critic of literature, theatre, media, and design, as well as an editorial designer and editor.

Now Middendorp is a moderator again for ATypI, after two years of mysterious absence. Her work is part of the collection of the Sichuan Art Museum.

THESIS - DISSERTATION GUIDE: All ways to increase or decrease font size

This work was awarded first prize at the National Art Exhibition. After returning to China, she joined FounderType and now works on font product research and project management. Since , Tobar has been running a flexible practice as a freelance typeface designer. Tobar finds it difficult to focus. Bill Moran is a third-generation letterpress printer, graphic designer, and professor of printing history at the University of Minnesota. Beginning in , he volunteered at Hamilton Wood Type in a variety of roles, including the writing and publishing of his book Hamilton Wood Type: A History in Headlines.

Typesetting my Master’s Thesis in LaTeX

She firmly believes knowledge must be shared and passed on, hence her delight in running workshops, being a speaker, and participating as a judge at entrepreneurship competitions. Titus Nemeth is a type designer and typographer with expertise in Arabic script culture. His internationally recognized practice spans commercial and cultural work, and his interests and activities extend to academic research and teaching in higher education.

Eunyou Noh is a type designer and researcher from South Korea. She worked for Type-Space from — and taught Hangul type design at several universities — Noh earned her Ph. Noh lives in The Hague and is working on the multiscript project Optique. His research focuses on 15th-century Venetian roman types, combining use of bibliographical knowledge and analysis of letterforms. Olocco has freelanced as a type and graphic designer in Milan and around Northern Italy since the late s, and from — was a lecturer in typography at the Free University of Bolzano.

An independent, London- based agency, the company was set up in with the desire to mix leading technology with quality design. The digitized ornaments and an accompanying publication will be published by the Dutch Type Library. Neil Patel is a type designer and former semiconductor process engineer based in Portland, Maine. He is the founder of Tetradtype, an independent type foundry, and partner of JamraPatel, a studio focusing on multiscript type systems.

Patel also has been known to dabble in programming, which he occasionally ties back into his design practice. Daria Petrova studied book design in Moscow and communication design in Berlin. Petrova is now back in Berlin, working at LucasFonts, discovering new graveyards, and designing her own typefaces. Previously, he had font-related management roles at Adobe and Extensis. In the s, Phinney helped drive the adoption of OpenType, both within Adobe and in the marketplace.

Phinney has been on the board of ATypI since She has also been engaged in the personal study of Nsibidi, pictograms and ideograms of Nigeria. Rathna Ramanathan is a graphic designer whose research and practice is situated around and inspired by the contexts of culture, language, typography, and publishing. Originally from Chennai and now based in London, Ramanathan specializes in the research, design, and curation of marginalized content and endangered practices within intercultural publishing, with South Asia as a site of investigation.

She runs her own studio, minus9, and has a Ph. Ramanathan has taught in India and in the UK. Since then, Silva has been an active member of the typographic community, both as a designer and as a researcher.

End Matter | Vietnamese Typography

She is a contributor to sites like Alphabettes. Dan Reynolds is a type designer and design history researcher in Berlin. He began working at LucasFonts in May In March , Reynolds submitted his doctoral dissertation on the relationship of lateth- and earlyth-century German-speaking foundries with freelance type designers; this is currently being assessed by the Braunschweig University of Art.

Before beginning his academic research and teaching, Reynolds spent several years at the old Linotype GmbH — David Jonathan Ross draws letters of all shapes and sizes for custom and retail typeface designs. A native of Los Angeles, Ross began drawing typefaces at Hampshire College and joined the Font Bureau in , where he honed his bezier-wrangling skills.

Now Ross publishes typefaces of visual and technical interest at his own foundry, DJR, as well as working on projects with Type Network and developing display faces for his Font of the Month Club. Fiona Ross specializes in non-Latin type design and typography, having a background in languages with a Ph. Ross works as a consultant, type designer, author, and lecturer.

She is concentrating on blackletter, specifically on the relationship between the Fraktur, Kanzlei, and Kurrent scripts. He joined Morisawa Inc. With the experience he acquired from RISD, Sakamoto took charge as the project manager of the corporate sites. He has participated in design events such as Association Typographique Internationale ATypI as the speaker to improve international recognition of Morisawa.

He was appointed as the guest judge at the Good Design Award Alice Savoie is an independent typeface designer, teacher, and researcher. She holds an MA and a Ph. Savoie collaborates with design studios and type foundries on the design of multiscript typeface families. In , she released the typeface family Faune, commissioned by the Centre national des arts plastiques in partnership with the Groupe Imprimerie Nationale.

He teaches typography at the University of Buenos Aires, Argentina, and is frequently invited to lecture about typography and to lead workshops on typeface design at international conferences and academic institutions. In , Scaglione acted as chairman of the Letter. He served as president of ATypI from — A trained photographer, Scheichelbauer holds degrees in philosophy and Dutch studies. He creates typefaces, works as a digital punchcutter for other type designers, and gives type design workshops on a regular basis.

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Since Scheichelbauer joined the Glyphs team in , he has been writing articles, tutorials, and Python scripts, as well as working on a blog and handbook. Scheichelbauer lives and works in Vienna, where he runs his type studio, Schriftlabor. Radek Sidun devotes himself primarily to fonts and typography. As a result, he is a sought-after consultant to font designers and type foundries the world over.

Sidun is also a member of the editorial and design team of the TYPO book project. Fred Smeijers is a Dutch type designer, teacher, researcher, and writer. In , Smeijers was awarded the Gerrit Noordzij Prize for outstanding contributions to type design. Geertrui Storms is a designer and lettering artist. In the theory of writing, broad nib pen is our guide when designing body typeface systems. Designed strokes are based on the broad nib pen and should be harmonised through different scripts.


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To achieve great balance between multilingual typefaces in the family, we have to take into account how typefaces are set in longer texts. Letters and negative spaces between them create texture, rhythm, and colour of the text, which should be balanced as well. The thesis has an extensive bibliography of the works referred to throughout the thesis. Raftery, J.

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